Kush Audio Ubk1
But I also say brilliant because the application and coordination of this program works together, each stage corresponding elegantly – making a complicated set of processes fairly simple. Rhythmic Compression The advertised intent of the UBK-1 is to use compression to generate “movement.” I feel it lives up to it’s intended purpose. The most compelling aspect of the UBK-1 is the swing of the compression settings, and the degree to which that swing can occur. Each setting has a unique attack and release curve that can be used to either emphasize the push or pull of the sound. Easy practical applications for this include creating new internal dynamics or drawing attention to ghost notes, or manipulating cymbal decay, reverbs, or delays. Toshiba qosmio x505 drivers.
Nonetheless, even when the Bias is leant on heavily, the sound retains a character all its own, since the Cores react to the input signal dynamically, producing unusual squelching artifacts at extreme settings. At the less overt end of the scale, small pinches of the Bias control help to tame spikey transients for headroom optimisation.
Kush Audio Plugin Pack Free Download Latest Version for Windows. It is full offline installer standalone setup of Kush Audio Plugin Pack crack for 32/64. Kush Audio Plugin Pack Overview INCLUDED FILES: Kush Omega Transformer A and N v1.0.4 Kush Pusher v.1.0.9 Kush Electra-DSP v1.0.2 Kush Clariphonic DSP-MKII v1.0.0 Kush.
Finally, I experienced problems gaining access to the presets with some versions of the plug-in: they appeared in Pro Tools, for example, but not in Cubase or Reaper. That's not a huge issue, as I'm not a great believer in using presets for dynamics plug-ins (it's easy to come close enough that you get lazy.), but they're often useful in familiarising yourself with a plug-in, and are essential if you wish to follow the helpful video examples on Kush's web site. Verdict Despite there being such 'development opportunities', I already love UBK1 for what it is. In fact, I'd go as far as saying that it tops my list of favourite plug-in processors at the moment.
Application In application, the Clariphonic does take a little getting used to. There are a number of reasons for this – the first being that it is supremely transparent. Thus, it’s easy to overdo it. It also relies on a non-linear gain structure. In other words, cranking one of the knobs from 9’o’clock to 10’o’clock will not yield the same amount of frequency boost as cranking the knob from 12’o’clock to 1’o’clock. Now at first this might seem awkward and poor architecture – but once you get used to it, it actually makes a lot of sense.
Yet he also sees capability in software that an all-analogue design team can only dream of. His first foray into the world of plug-ins,, therefore, doesn't ape a particular outboard processor. Instead, the aim was to draw on Kush's analogue expertise to create a completely new plug-in processor.
The main controls come in the guise of Bakelite-style knobs and switches, and the GUI looks very retro-analogue. In fact, the whole thing looks like an homage to some mythical outboard processor.
The Headroom control is a neat and useful feature that I hope more developers will adopt, and I like the vague meters, which kept reminding me to use my ears! It's refreshing to see someone approach plug-in design in this way. Rather than struggling to make a warts-and-all copy of a piece of outboard gear, Kush Audio have thought about how to translate their hardware design philosophy into a plug-in that takes advantage of the power and flexibility available in software. Conventional modelling has its place, and will get better as time passes, but if more developers took a leaf out of Kush's book, we'd all have a better set of tools right now! Original Source at.
This is where the “parallel only” switch can be very useful. By switching to the parallel signal you can hear very very clearly what parts of the source are being emphasized. I highly recommend taking advantage of this knob, because often multiple settings will sound good – and it becomes a matter of which is best – and any perspective that can help that decision is extremely useful. Conclusion My end conclusion on this is that not all gear is meant for all things. However, the Clariphonic EQ is one of those pieces of gear that is. The sheer transparency alone makes this piece unique and effective in a multitude of situations – equally as useful in the mix as across the two bus – and for the price point it is more than worth it. — UBK-1 Plug-in There are many many software compressors available at this point.